ARCHIVED WEBSITE
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Programme sections
TOPICAL, SOCIALLY CRITICAL
View from a Grain of Sand, 2006, Meena Nanji
State Legislature, 2007, Frederick Wiseman
INTIMATE PORTRAYALS
Die grosse stille, 2005, Philip Groening
Salata baladi, 2007, Nadia Kamel
Edi Šelhaus: Bil sem zraven, 2007, Jurij Gruden
TOPIC: WORKINGMAN’S DEATH
Wie ich ein freier reisebegleiter wurde, 2007, Jan Peters
A verdade do gato, 2006, Jeremy Hamers
An Injury To One, 2002, Travis Wilkerson
Profit Motive and the Whispering Wind, 2007, John Gianvito
A Decent Factory, 2005, Thomas Balmes
Il mio paese, 2006, Daniele Vicari
MYTHS, ICONS, MEDIA
Joy Division, 2007, Grant Gee
Joe Strummer: The Future is Unwritten, 2007, Julien Temple
Staub, 2007, Hartmut Bitomsky
RR, 2007, James Benning
War Made Easy: How Presidents & Pundits Keep Spinning Us to Death Loretta Alper, Jeremy Earp
RETROSPECTIVE: NICOLAS PHILIBERT
Retour en Normandie, 2007
La Ville Louvre, 1990
Le Pays des sourds, 1992
Un Animal, des animaux, 1994
La Moindre des choses, 1996
Être et avoir, 2002
Topical
HUBERT BEST: RIGHTS CLEARANCE IN ARCHIVAL MATERIAL, SEMINAR
Mar 10, 200828.3., Klub Lili Novy
This year the Documentary Film Festival (FDF) will tackle the theory of legal issues governing the use of archival materials, substantiated by practical examples from films featured at the Festival. On the invitation of MEDIA Desk Slovenia, a lecture will be given by Hubert Best, a recognised expert in international copyright law specialising in new media, particularly the exploitation of audiovisual and music contents in online and mobile environments. He is an authority on conflict of law and multi-jurisdiction issues and a partner of Best & Soames, a London-based law firm dealing with the full range of legal problems encountered in the swiftly changing digital media landscape, and practises as a solicitor in London and as an EU advocate through the Stockholm firm ENN.